Tommaso di Ser Giovanni di Simone Guidi Cassai called Masaccio is ranked the greatest master of the Early Italian Renaissance painting, whose application of scientific perspective and depiction of natural lighting represent an important step in the development of modern painting. He was born in San Giovanni Valdarno, near Florence. Together with architect Filippo Brunelleschi and sculptor Donatello, Masaccio was a founder of Renaissance art and architecture. Only five works unquestionably attributed to him survive

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Ref No.Masaccio 1
San Giovenale Triptych
1422, panel, Church of
San Pietro at Cascia
Florence

Ref No.Masaccio 2
Portrait of a Young Man
1423-25, wood, Isabella
Stewart Gardner
Museum, Boston

Ref No.Masaccio 3
Madonna and Child with
St. Anne (Painted with
Masolino), panel, Uffizi,
Florence

Ref No.Masaccio 4
The Holy Trinity with
Virgin and St. John,
1425, Santa Maria
Novella, Florence

Ref No.Masaccio 5
The Virgin and Child
1426, National Gallery
London

Ref No.Masaccio 6
Crucifixion, approx.
1426, Museo di
Capodimonte,Naples

Ref No.Masaccio 7
St. Paul, approx. 1426
Museo di San Matteo
Pisa

Ref No.Masaccio 8
St. Andrew, approx.
1426 J. Paul Getty
Museum, Malibu.

Ref No.Masaccio 9
The Tribute Money
detail, 1426-27,
fresco, Brancacci
Chapel, Florence

Ref No.Masaccio 10
Baptism of the
Neophytes,1426-27
fresco, Brancacci
Chapel, Florence

Ref No.Masaccio 11
Raising the Son of
Theophilus Later
finished by Filippino
Lippi,fresco,Brancacci
Chapel, Florence.

Ref No.Masaccio 12
Adam and Eve
Expelled from
Paradise, 1427

Ref No.Masaccio 13
Rendering of the
Tribute Money. 1425
Fresco. Brancacci
Chapel, Santa Maria
del Carmine,Florence

Ref No.Masaccio 14
Madonna and Child
After 1426. Tempera
on panel. Galleria
degli Uffizi,Florence

Ref No.Masaccio 15
Rendering of the Tribute
Money (detail). 1425.
Fresco. Brancacci
Chapel, Santa Maria
del Carmine, Florence

Ref No.Masaccio 16
Rendering of the Tribute
Money (detail). 1425.
Fresco. Brancacci
Chapel, Santa Maria
del Carmine, Florence